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Archive for the 'openings' Category

triplecanopy launches

Triplecanopy, a smart new pub with contributors culled from n + 1, Artforum, et al, launches today at Gowanus Studio Space in Brooklyn. See especially Basic Instinct: Poems, taken verbatim from Descriptive Video Service (audio versions of films created for the visually impaired) and rearranged into verse:

“Now a white horse gallops through a dawning blue sky, // its mane fluttering in the wind. / It sprouts wings and soars up and over a golden triangle / enclosing the words TRI STAR PICTURES.”

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Bjork’s Wanderlust

This.Hearts.On.Fire first tipped us off to this, a 3D screening of Bjork’s latest video and some behind-the-scenes artifacts from the video shoot on display (very Matthew Barney, eh?) at Deitch Studios’ new Queens location.

Supposedly, this is open to the public tonight only, says Gothamist. So see you in LIC?

March 13, 2008
4-40 44th Drive, Long Island City

7-9pm

Deitch Studios can be reached by taking either the E or V Train to the 23rd Street/Ely, the G train to LIC/Court Square or the 7 train to 45 Road/Court House Square. Walk down 44th drive to the water’s edge. Deitch Studios is located on the left hand side.

Dance then Eat

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Two of my favorite things, dancing and eating, artist Agathe Snow tackles in her life-as-art work. One of the artists behind Chop Shop, as part of this year’s Whitney Biennial she’ll be hosting a couple of performance-based projects at the Armory, the Biennial’s new annex this year. The first is her version of a dance-a-thon, Stamina: Gloria et Patria, starting this Sunday, March 9th. After you’ve won that contest and burned about a million calories, check out her gypsy feast, Abat-Jour, that she’ll be producing in collaboration with another Biennial artist, Rita Ackermann.

Stamina, via Whitney.org, March 9-15:

“Snow holds daily dance sessions throughout the Armory over the course of a week, culminating in a twentyfour- hour dance marathon in the Drill Hall. Visitors are issued time cards to record their participation, and at the end of the week the winner—whoever has danced the longest—is announced. Time cards are available at the Armory Information Desk and at the Information Desk in the Museum Lobby.”

Abat-Jour, March 23, 2008:

“Ackermann and Snow host a gypsy-themed feast, in which food, drink, and decoration—as well as the guests themselves—become materials in the work of art. A play on the French word for lampshade, Abat-Jour refers to bajour, a traditional gypsy confidence game. Using bartering and chance as a central themes, Ackermann and Snow explore issues related to gender, community, and celebration. At 9:30 pm all visitors are welcome to dance in the dinner hall. Please visit whitney.org/biennial for registration information. ”

[Image courtesy Chop Shop.]

Shana Moulton Wants to Believe

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“I’m completely convinced that I’m almost a diabetic, even though I’m really careful,” says video artist Shana Moulton, who as an undergrad once did a performance where she covered her face with a caramel mask, waited for it to dry, peeled it away and ate the entire mask. Then she washed everything off in a basin filled with white sugar. “I was almost puking,” she says, and explains how at the time, she’d just learned her parents had Type 2 diabetes. So her self-professed hypochondria isn’t completely unfounded. In Moulton’s ongoing video series, Whispering Pines, she plays a character named Cynthia, an alter ego who is plagued with a variety of illnesses, perhaps more imagined than real. She’s constantly looking for a cure, or some kind of answer to all her problems. Cynthia tries everything from beauty products promising miracles, to water fountains spouting New Age energy speak, to an Avon lady hand healer. It’s these illnesses and the subsequent remedies that are the catalyst for Cynthia’s fantastic, escapist adventures through the looking glass. Whether Cynthia actually finds liberation - or salvation - is unclear, and the video’s low-tech aesthetic and over-the-top citric acid color scheme make the viewer feel a little loopy, as though you’ve just stayed up all night, bleary-eyed, watching cable access infomercials for crystal-wielding psychic healers. Moulton grew up in Northern California, a hotbed of spiritual self-help and seekers of healthy alternative lifestyles, but she’s recently moved to Brooklyn. Her latest solo show, Sand Saga, is on view at Broadway 1602, 1182 Broadway Apt. 1602 (at 28th Street), closing this Saturday, Feburary 16. There’ll be a live performance by Moulton at 7pm.

[Pictured: Shana Moulton performing at the opening of Sand Saga on January 21, 2008. The above text is an excerpt from my forthcoming interview with Moulton in Amsterdam-based magazine Blend, available online next month….stay tuned!]

Printed Matter’s NY Art Book Fair.

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Sept 28-29th 2007

DIA
548 W 22nd St
[10/11th Aves]

“The annual fair of contemporary art books, art catalogues, artists’ books, art periodicals, and ‘zines offered for sale by over 120 international publishers, booksellers, and antiquarian dealers. Admission to the fair is FREE”.

Ben Brunnemer art show

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Ben Brunnemer.
New work, mixed media.

Sensei Gallery
34 E 1st St
NY, NY
thru 10/6

3 D glasses supplied for your viewing pleasure.

The Anna Copa Cabanna Show

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in the hurricane voices of xylophonic symphonies
tinkling, sprinkling their glittery Fosse Aussie…

9.25.2007 @ The Bowery Poetry Club @ 10pm