nunu


“Dope” -1968 documentary.

This doc was made by the Rochlins who also did   Vali Myers  doc. The young girl Caroline in “Dope” looks to be the same girl who did a fancy dance and got her face tattooed by Vali in the Positano mountains.

\”Dope\” doc.

This old man doesn’t need drugs. When he was in Egypt in the war, if one had nothing to do, one took a 50 yard run and gave an Egyptian a kick up the arse.

Halloween costume [2]

The “After School Special”

gonna smash your face so bad, you\’re gonna look like cooked spaghetti

Sarah T: portrait of a teenage alcoholic

Halloween costume [1]

Valerie and her Week of Wonders……

Sallow Aunty

Powderface

Incest, lesbian Aunts, carnival Devils, enamored dorks, much white Broderie Anglaise.

Pumpkin

It’s October, and that means pumpkins. As a child, I hated, hated, cake for my birthday. So my mom made me pumpkin pie instead. Oh, the thrill of being the first pumpkin pie eater of the season, a full month before Thanksgiving trotted into town.

Let me tell you about a most surprising salad that I ate at my beloved Marlow & Sons, where I go to remind myself that there is nothing in the world more worth fighting for than food. This salad: the daily market salad, composed of vegetable scrapings, swirls of olive oil and good, strong parmagiano. Those vegetables: Here’s where things must take a bow. Thinly shaved raw pumpkin with a carved crunch in the mouth the equivalent of a spoon scraping pumpkin flesh for seeds. This mixed with pungent broccoli greens possessing an honorable, wholly charming overbite.

Imagine, if you will, a plate that resembled the topography of a New Mexican mesa in winter: Dry, earthen desert parsed with summer’s last green shrubbery. A fine layer of powder precipitates the dish with salty sweetness.

Virtual Viktor & Rolf

Did not set my alarm for 3am so that I could watch their show in “real” time–it went live on their site at 9am Paris time. Good thing…

I must say, what I saw made me embarrassed for them. Rather than a display of “the future,” the whole Web presentation instead looked stuck in the past, circa 2000. For some reason, fashion houses love Flash and they love bad electro-ambient soundtracks. To spare you the boredom of watching the show, the gist of it is this: It stars ’90s supermodel great Shalow Harlow. She models every look (how clever–get it? It’s the internet so you can use the same model!). We see each design from various camera angles, supposedly offering a more detailed look–but frankly, the cuts are too quick and the resolution too low to actually see what is going on.

Also in a nod to tradition, Shalom walks on a runway. Why not have her walk in space, or in the desert, or on water? Where’s the imagination in this? And the virtual room is filled with empty seats. Guess Anna Wintour’s avatar couldn’t make it on time for the early morning show.

At the end of a presentation that seems to go on forever (in reality, probably 15 minutes, which is nothing for a real fashion show but for a virtual one? A lifetime. And only 21 looks), all the Shaloms come out in their various outfits and flank the runway, clapping, as the disembodied heads and torsos of Viktor Horsting and Rolf Snoeren appear overhead like great and all-powerful wizards. Then everyone dissolves.

The clothes? Fave fashion terms like “architectural,” “futuristic” and “origami” on the one hand, and technology’s influence on the other hand in the form of motherboard prints and pixelated color. How about: “Autobot starship warrior princesses on their way to meet Tron.”

Oh, and wanna know how you make a Web show with no invites and no front row palatably exclusive for the fashion flock? Style.com will tell you how: “…the duo’s new Web show, which Style.com exclusively previewed in advance of its October 2 debut on the label’s Web site….” Advance screening! Some things never change.

Previously…

Due to Rain

Hidden puddle under a slate sidewalk slab soaks my shoes,

Mariachi band plays on a soccer field, in the twillight, and umbrella people witness,

Slimy slug crawls across a bumpy wall to the floor, next to my bed,

Damp air slows drying laundry.
Renata

Posted by email from MARQUEE (posterous)

Because I want to see people and I want to see life

The Smiths will never let you down. (also see: “Rubber Ring”)

Posted by email from MARQUEE (posterous)

An Argument for Loneliness

"Membership in a coterie, school, or group produces different effects on major and minor writers. For minor writers, a group provides a repertory of styles and themes and gives them confidence to work at the height of their powers. They return the favor by compiling group anthologies and writing manifestos, but when the group disintegrates, they may have nothing more to say. For major writers, a group tends to provide themes and publicity in the first few years of their career, when they are already looking elsewhere, and their mature work has nothing common with the later work of the rest of the group. The members left behind, now famous mostly because they had once been associated with the major writer, mutter resentfully that he betrayed them.

"O'Hara was a major writer who tried to convince himself he was a minor one. His best work either ignored or teased the coterie he partied with, but as he grew older he found it easier to fight off loneliness by immersing himself in an always-welcoming group than by opening himself to the risks of any intimacy that might relieve it…….The more time O'Hara spent barhopping with his coterie, the fewer poems he wrote, and the more convinced he became that he had nothing more to say."

–Edward Mendelson, "What We Love, Not Are," on Selected Poems by Frank O'Hara, published in The New York Review of Books, September 25, 2008

Posted by email from MARQUEE (posterous)

Brolly

Who makes the most weatherproof umbrella? Last time I got caught in the rain (white t-shirt no less…ah, summer rain), I upgraded from the usual $3 one to a leopard print umbrella by Totes. I used it only once and already one of the spokes has come undone. And it wasn’t even raining that hard, or at all windy!

I had a Marc Jacobs umbrella as well, and it was the worst. Not only did it cut up my fingers every time I closed it (those little metal things, what are they called? I was terrified of them as a kid), it wasn’t even waterproof! If there were ever more than a sprinkle of rain, it would soon be dripping on the inside.

I was very happy when someone borrowed it and never gave it back.

Other umbrellas in my either currently or formerly include a hot pink one by Nanette Lepore (a freebie; I loaned it to my roommate Simon once because I thought it would be hilarious to picture him walking around town with it. He lost it), a mod print wooden handle umbrella by Banana Republic that weighs about 10 pounds, a purple umbrella given to me by a former fling, and of course about a billion of those super cheap black ones that can be found on most street corners during inclement weather.

A friend of mind once wrote a blurb in Bookforum in the voice of Casey Spooner about what he was reading…the only part of it that I remember is that it had to do with carrying a bookstrap around…

“Apollinaire’s prescription for poetry was to always carry an umbrella around, but to never actually open it. When I go out I carry a book around on my Matt Murphy-designed book strap, but never feel the need to actually read it.”

Or something like that.

Renata

Posted by email from MARQUEE (posterous)

I just walked past Sofia Coppola

On my way to Anna Sui. She was headed backstage.
She’s very petite.
Renata

Posted by email from MARQUEE (posterous)